Sunday, January 12, 2020
Comparative study between Blade Runner & Frankenstein Essay
Victorââ¬â¢s attitude is reactionary and domineering as he ostracises the Creature and employs diabolic epithets towards him such as ââ¬Ëdaemonââ¬â¢, completely disregarding the value of responsibility prevalent in Shelleyââ¬â¢s era the perpetual darkness enveloping the ambient world echoes the ecological concerns of deforestation and global warming of the 1980s and thereby Blade Runner parallels Frankenstien insofar as both Shelley and Scott admonishes the disregard for nature as a reflection of shifting values toward artificial compromise. Pathetic fallacy of ââ¬Ëthe dreary glaciers are my refugeââ¬â¢ mimics the Creatureââ¬â¢s isolation to convey the inherent role of nature in Shelleyââ¬â¢s Romantic context as weather supplements his emotions. gothic conventions of heightened emotions are embodied with the Creatureââ¬â¢s exaltation anthropomorphised nature ââ¬ËMy spirits were elevated by the changing appearance of natureââ¬â¢, which values the subli meââ¬â¢s ability to inspire spiritual renewal. Intertextual ââ¬ËImmortal Gameââ¬â¢ where Roy outplays Tyrell, symbolic of Tyrellââ¬â¢s eventual demise as a ramification for usurping Godââ¬â¢s omnipotence. rapid technological progression of the 1980s forward, to represent a society where empathy has been replaced by pervasive commoditization. Scott incorporates the idea of people as commodities suggested by Roy labelled as a ââ¬Ëprizeââ¬â¢ embodies a cautionary message through a foreboding biblical reference to Lucifer, ââ¬Å"you seek knowledgeâ⬠¦may be a serpent to sting youââ¬â¢ to reinforce the irony of Victorââ¬â¢s prolonged toil of pursuing more knowledge with little benefit. Hence, Victorââ¬â¢s unchecked scientific investigation is depicted as ultimately self-destructive and to that end, Shelley induces us to appreciate the need for moderation by exposing the complications of intellectual extremism. ââ¬ËI ought to be thy Adam, but I am rather the fallen angelââ¬â¢ Here, the Creatureââ¬â¢s rational lexis is juxtaposed with Victorââ¬â¢s insect imagery ââ¬Å"Begone! Vile insectâ⬠, whereby the Creatureââ¬â¢s developed sense of morality in comparison to Victorââ¬â¢s tyrannical behaviour reflects Shelleyââ¬â¢s concerns of morally deficient humans and by extension; Shelley berates the use of oppression as a means of governance.
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